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Sometimes, it is impossible to review a show and not compare it to
something else you've just seen. Perhaps this is bad form, but
television programs are not islands unto themselves; what we think of
one is often based on what we've thought of something else. My faithful
readers know that I just completed watching 2nd Gig, the second season
of Ghost in the Shell: Stand Alone Complex. Although the series
featured great technical aspects in terms of animation and music and a
strong, intricately woven plot, I gave it a B+. Why? Because, quite
simply, I felt nothing.
The characters weren't nearly as well
developed as they were the first season, and I just found myself less
drawn in, though I appreciated all the skill on display.
In almost every way, Bleach is almost the polar opposite in terms of a
TV show. The animation is sometimes haphazard, and the character
designs are nothing special...even verging on ugly at times. The
opening theme is very catchy, but the music beyond that isn't
memorable. The show at times is painfully slow and follows far too many
clichéd conventions of the shonen genre, and some plot holes are
achingly obviously.
And
yet...while this is not a great show by any means, it is a good one,
and it's precisely because it has heart. I can't describe any better
why I got wrapped up into seeing this tale of a demon hunter, but it
has a resonance that 2nd Gig just didn't have.
Ichigo is a relatively normal (if morose) teen who started seeing
spirits a few years back. Most of the time, it wasn't an issue...just
an annoyance, really. But when he and his family are attacked, through
a series of circumstances he is granted the power of a soul reaper.
Soul reapers, it turns out, are a sort of gatekeeper to the
netherworld, and they fulfill a few roles.
One
of their tasks is to help souls who have, due to personal attachments
to this world, stuck around rather than passing over into the "Soul
Society." Most of the time, these spirits are harmless, and they may
wander around for a long time since soul reapers are usually busy with
a far worse problem: hollows. Hollows are nasty creatures that like to
eat souls, and their bone-white masks often conceal the spirits of
those whom they've overtaken to become more powerful. Soul reapers have
the thankless task of defeating them and sending them (and their
intended victims) over to the "other side."
So Ichigo now has more problems than he ever thought possible. For one,
hollows recognize his incredibly strong spiritual energy and think he'd
make a tasty snack, so they show up often. Second is Rukia, the soul
reaper from whom he received his powers.
When
Ichigo gained his powers, Rukia lost most of hers, so for now she's
stuck living in his closet, explaining just what the heck is going on
to Ichigo and trying to keep him from getting himself killed. Add in
two sisters and a wacky dad, a girl with a crush on him and a gaggle of
friends who start catching on to his spirit-fighting abilities, a wacko
substitute soul that resides in a stuffed tiger, and a guy whose
business acts as an arms dealer for soul reapers, and Ichigo's got far
more than what he can handle.
As I was saying before, Bleach does not have a great deal on which to
recommend it, at least on the surface. Quite frankly, what would be the
first DVD's worth of material is just plain junk, full of formulaic pap
that was so easy to predict that I almost gave up.
The
opening has Rukia acting as an omniscient narrator, explaining every
last strange thing that Ichigo experiences. It's unnecessary, and it
lessens the mystery of the moment when this kid gets himself into this
strange, fantastical, and scary world. For a while, even past the first
few episodes, Bleach seems too interested in defining terms rather than
creating a world.
There's also the problem that none of the hollows that Ichigo faces are
interesting villains. They have their own peccadilloes, but there is no
sense that the hollows are anything but self-interested stomachs. They
certainly don't work together, and they do not pose that great of a
threat as stand-alone baddies. For too much of this first season,
hollows exist to fulfill the shonen need to have at least one or two
fight scenes every single episode.
On top of all this,
Ichigo is a rather bland character. Yes, he has parental issues
stemming from his mother's death, but what shonen character doesn't
have something similar in his past? He doesn't seem to have any
interests or character qualities other than being sullen and
dismissive, yet that appeals to many of the girls who find him a
mystery. In many ways, though, he's a blank slate. I also have to say
from a personal perspective that the show's viewpoint on the afterlife
is really disturbing and depressing. It is very Japanese, to be
certain, but if this show was an accurate picture of what happened
after death, I'd prefer just to stay dead, thank you very much. I admit
that as a future pastor, it may be something I notice more than others;
nevertheless, this show did somehow bother me more than many other
supernaturalistic anime.
So why can I still give a basic recommendation to Bleach?
It's because the show is watchable, for one. It doesn't take itself too
seriously and winds up, despite its repetitive nature, being a lot of
fun. I found myself coming back morning after morning to catch another
episode, and I believe it's due to the strength of the ensemble cast
and their support of Ichigo. From obvious girlfriend interest Orihime
to Japanese/Mexican gentle giant Chad, the supporting members of Bleach
are really what make this show interesting. They are the ones that I
really wanted to learn more about, and thankfully that happens. About
midway through the first season, we get some episodes that barely
involve Ichigo, but for me they really established the larger network
of characters. Now that isn't to say that they always handle these
characters correctly.
For example, the constant jokes about
Orihime's large bustline are really out of place, especially
considering that she is a sweet, kind character who would probably be
embarrassed and burst into tears if anyone made those comments to her
face. But again, this is a shonen program meant to appeal to
13-year-old boys, and sometimes that audience wins out.
That said, though, I found that almost all the expanded cast did get
good moments to shine, and at least a couple of them who appear to be
one-dimensional get the chance to improve over time. One thing is
certain: not every character is what he or she appears at first glance,
and I like that a lot. In fact, it's Bleach's radical turns in its
final episodes of the season that made me interested in continuing. The
hollows almost fall out of the picture entirely as events surrounding
Rukia lead us somewhere entirely different and unexpected, and it leads
to a variety of characters stepping up to their destinies.
I
had no expectations of this from the first half of the season, and I
was pleasantly surprised to say the least.
It's been said that all shonen shows need time to "get better." It's
almost a cliché in and of itself that long-running epics sometimes take
longer to get off the ground, and that's true here. If I were to judge
the show off the first several episodes, I wouldn't be sure whether or
not I'd skip it. But if you can get through the twenty episode mark
that ends season one, my guess is you'll be hooked. I can't say that
I'm going to run out and find season two soon; other shows have
captured my interest more that I still need to finish. However, I've
given recommendations to other shonen shows (like The Prince of Tennis)
that aren't nearly as interesting and don't show nearly as much
promise. And that, friends, is probably why I think the first season of
Bleach is worth watching -- the show is slowgoing at first, but it
looks ready to take us all sorts of interesting places in future
seasons.
Thanks to The Anime Review for this brilliant post.
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